Monday, December 28, 2009

Little Women by Louisa May Alcott chapter 25



THE FIRST WEDDING

The June roses over the porch were awake bright and early on that
morning, rejoicing with all their hearts in the cloudless sunshine,
like friendly little neighbors, as they were.  Quite flushed with
excitement were their ruddy faces, as they swung in the wind,
whispering to one another what they had seen, for some peeped in at the
dining room windows where the feast was spread, some climbed up to nod
and smile at the sisters as they dressed the bride, others waved a
welcome to those who came and went on various errands in garden, porch,
and hall, and all, from the rosiest full blown flower to the palest
baby bud, offered their tribute of beauty and fragrance to the gentle
mistress who had loved and tended them so long.

Meg looked very like a rose herself, for all that was best and sweetest
in heart and soul seemed to bloom into her face that day, making it
fair and tender, with a charm more beautiful than beauty. Neither silk,
lace, nor orange flowers would she have.  "I don't want a fashionable
wedding, but only those about me whom I love, and to them I wish to
look and be my familiar self."

So she made her wedding gown herself, sewing into it the tender hopes
and innocent romances of a girlish heart.  Her sisters braided up her
pretty hair, and the only ornaments she wore were the lilies of the
valley, which 'her John' liked best of all the flowers that grew.

"You do look just like our own dear Meg, only so very sweet and lovely
that I should hug you if it wouldn't crumple your dress," cried Amy,
surveying her with delight when all was done.

"Then I am satisfied.  But please hug and kiss me, everyone, and don't
mind my dress.  I want a great many crumples of this sort put into it
today,"  and Meg opened her arms to her sisters, who clung about her
with April faces for a minute, feeling that the new love had not
changed the old.

"Now I'm going to tie John's cravat for him, and then to stay a few
minutes with Father quietly in the study,"  and Meg ran down to perform
these little ceremonies, and then to follow her mother wherever she
went, conscious that in spite of the smiles on the motherly face, there
was a secret sorrow hid in the motherly heart at the flight of the
first bird from the nest.

As the younger girls stand together, giving the last touches to their
simple toilet, it may be a good time to tell of a few changes which
three years have wrought in their appearance, for all are looking their
best just now.

Jo's angles are much softened, she has learned to carry herself with
ease, if not grace.  The curly crop has lengthened into a thick coil,
more becoming to the small head atop of the tall figure.  There is a
fresh color in her brown cheeks, a soft shine in her eyes, and only
gentle words fall from her sharp tongue today.

Beth has grown slender, pale, and more quiet than ever.  The beautiful,
kind eyes are larger, and in them lies an expression that saddens one,
although it is not sad itself.  It is the shadow of pain which touches
the young face with such pathetic patience, but Beth seldom complains
and always speaks hopefully of 'being better soon'.

Amy is with truth considered 'the flower of the family', for at sixteen
she has the air and bearing of a full grown woman, not beautiful, but
possessed of that indescribable charm called grace. One saw it in the
lines of her figure, the make and motion of her hands, the flow of her
dress, the droop of her hair, unconscious yet harmonious, and as
attractive to many as beauty itself.  Amy's nose still afflicted her,
for it never would grow Grecian, so did her mouth, being too wide, and
having a decided chin.  These offending features gave character to her
whole face, but she never could see it, and consoled herself with her
wonderfully fair complexion, keen blue eyes, and curls more golden and
abundant than ever.

All three wore suits of thin silver gray (their best gowns for the
summer), with blush roses in hair and bosom, and all three looked just
what they were, fresh faced, happy hearted girls, pausing a moment in
their busy lives to read with wistful eyes the sweetest chapter in the
romance of womanhood.

There were to be no ceremonious performances, everything was to be as
natural and homelike as possible, so when Aunt March arrived, she was
scandalized to see the bride come running to welcome and lead her in,
to find the bridegroom fastening up a garland that had fallen down, and
to catch a glimpse of the paternal minister marching upstairs with a
grave countenance and a wine bottle under each arm.

"Upon my word, here's a state of things!" cried the old lady, taking
the seat of honor prepared for her, and settling the folds of her
lavender moire with a great rustle.  "You oughtn't to be seen till the
last minute, child."

"I'm not a show, Aunty, and no one is coming to stare at me, to
criticize my dress, or count the cost of my luncheon.  I'm too happy to
care what anyone says or thinks, and I'm going to have my little
wedding just as I like it.  John, dear, here's your hammer."  And away
went Meg to help 'that man' in his highly improper employment.

Mr. Brooke didn't even say, "Thank you," but as he stooped for the
unromantic tool, he kissed his little bride behind the folding door,
with a look that made Aunt March whisk out her pocket handkerchief with
a sudden dew in her sharp old eyes.

A crash, a cry, and a laugh from Laurie, accompanied by the indecorous
exclamation, "Jupiter Ammon!  Jo's upset the cake again!" caused a
momentary flurry, which was hardly over when a flock of cousins
arrived, and 'the party came in', as Beth used to say when a child.

"Don't let that young giant come near me, he worries me worse than
mosquitoes," whispered the old lady to Amy, as the rooms filled and
Laurie's black head towered above the rest.

"He has promised to be very good today, and he can be perfectly elegant
if he likes," returned Amy, and gliding away to warn Hercules to beware
of the dragon, which warning caused him to haunt the old lady with a
devotion that nearly distracted her.

There was no bridal procession, but a sudden silence fell upon the room
as Mr. March and the young couple took their places under the green
arch.  Mother and sisters gathered close, as if loath to give Meg up.
The fatherly voice broke more than once, which only seemed to make the
service more beautiful and solemn.  The bridegroom's hand trembled
visibly, and no one heard his replies.  But Meg looked straight up in
her husband's eyes, and said, "I will!" with such tender trust in her
own face and voice that her mother's heart rejoiced and Aunt March
sniffed audibly.

Jo did not cry, though she was very near it once, and was only saved
from a demonstration by the consciousness that Laurie was staring
fixedly at her, with a comical mixture of merriment and emotion in his
wicked black eyes.  Beth kept her face hidden on her mother's shoulder,
but Amy stood like a graceful statue, with a most becoming ray of
sunshine touching her white forehead and the flower in her hair.

It wasn't at all the thing, I'm afraid, but the minute she was fairly
married, Meg cried, "The first kiss for Marmee!" and turning, gave it
with her heart on her lips.  During the next fifteen minutes she looked
more like a rose than ever, for everyone availed themselves of their
privileges to the fullest extent, from Mr. Laurence to old Hannah, who,
adorned with a headdress fearfully and wonderfully made, fell upon her
in the hall, crying with a sob and a chuckle, "Bless you, deary, a
hundred times!  The cake ain't hurt a mite, and everything looks
lovely."

Everybody cleared up after that, and said something brilliant, or tried
to, which did just as well, for laughter is ready when hearts are
light.  There was no display of gifts, for they were already in the
little house, nor was there an elaborate breakfast, but a plentiful
lunch of cake and fruit, dressed with flowers. Mr. Laurence and Aunt
March shrugged and smiled at one another when water, lemonade, and
coffee were found to be to only sorts of nectar which the three Hebes
carried round.  No one said anything, till Laurie, who insisted on
serving the bride, appeared before her, with a loaded salver in his
hand and a puzzled expression on his face.

"Has Jo smashed all the bottles by accident?" he whispered, "or am I
merely laboring under a delusion that I saw some lying about loose this
morning?"

"No, your grandfather kindly offered us his best, and Aunt March
actually sent some, but Father put away a little for Beth, and
dispatched the rest to the Soldier's Home.  You know he thinks that
wine should be used only in illness, and Mother says that neither she
nor her daughters will ever offer it to any young man under her roof."

Meg spoke seriously and expected to see Laurie frown or laugh, but he
did neither, for after a quick look at her, he said, in his impetuous
way, "I like that!  For I've seen enough harm done to wish other women
would think as you do."

"You are not made wise by experience, I hope?" and there was an anxious
accent in Meg's voice.

"No.  I give you my word for it.  Don't think too well of me, either,
this is not one of my temptations.  Being brought up where wine is as
common as water and almost as harmless, I don't care for it, but when a
pretty girl offers it, one doesn't like to refuse, you see."

"But you will, for the sake of others, if not for your own. Come,
Laurie, promise, and give me one more reason to call this the happiest
day of my life."

A demand so sudden and so serious made the young man hesitate a moment,
for ridicule is often harder to bear than self denial. Meg knew that if
he gave the promise he would keep it at all costs, and feeling her
power, used it as a woman may for her friend's good. She did not speak,
but she looked up at him with a face made very eloquent by happiness,
and a smile which said, "No one can refuse me anything today."

Laurie certainly could not, and with an answering smile, he gave her
his hand, saying heartily, "I promise, Mrs. Brooke!"

"I thank you, very, very much."

"And I drink 'long life to your resolution', Teddy," cried Jo,
baptizing him with a splash of lemonade, as she waved her glass and
beamed approvingly upon him.

So the toast was drunk, the pledge made and loyally kept in spite of
many temptations, for with instinctive wisdom, the girls seized a happy
moment to do their friend a service, for which he thanked them all his
life.

After lunch, people strolled about, by twos and threes, through the
house and garden, enjoying the sunshine without and within.  Meg and
John happened to be standing together in the middle of the grass plot,
when Laurie was seized with an inspiration which put the finishing
touch to this unfashionable wedding.

"All the married people take hands and dance round the new made husband
and wife, as the Germans do, while we bachelors and spinsters prance in
couples outside!" cried Laurie, promenading down the path with Amy,
with such infectious spirit and skill that everyone else followed their
example without a murmur.  Mr. and Mrs. March, Aunt and Uncle Carrol
began it, others rapidly joined in, even Sallie Moffat, after a
moment's hesitation, threw her train over her arm and whisked Ned into
the ring.  But the crowning joke was Mr. Laurence and Aunt March, for
when the stately old gentleman chasseed solemnly up to the old lady,
she just tucked her cane under her arm, and hopped briskly away to join
hands with the rest and dance about the bridal pair, while the young
folks pervaded the garden like butterflies on a midsummer day.

Want of breath brought the impromptu ball to a close, and then people
began to go.

"I wish you well, my dear, I heartily wish you well, but I think you'll
be sorry for it," said Aunt March to Meg, adding to the bridegroom, as
he led her to the carriage, "You've got a treasure, young man, see that
you deserve it."

"That is the prettiest wedding I've been to for an age, Ned, and I
don't see why, for there wasn't a bit of style about it," observed Mrs.
Moffat to her husband, as they drove away.

"Laurie, my lad, if you ever want to indulge in this sort of thing, get
one of those little girls to help you, and I shall be perfectly
satisfied," said Mr. Laurence, settling himself in his easy chair to
rest after the excitement of the morning.

"I'll do my best to gratify you, Sir," was Laurie's unusually dutiful
reply, as he carefully unpinned the posy Jo had put in his buttonhole.

The little house was not far away, and the only bridal journey Meg had
was the quiet walk with John from the old home to the new. When she
came down, looking like a pretty Quakeress in her dove colored suit and
straw bonnet tied with white, they all gathered about her to say
'good by', as tenderly as if she had been going to make the grand tour.

"Don't feel that I am separated from you, Marmee dear, or that I love
you any the less for loving John so much," she said, clinging to her
mother, with full eyes for a moment.  "I shall come every day, Father,
and expect to keep my old place in all your hearts, though I am
married.  Beth is going to be with me a great deal, and the other girls
will drop in now and then to laugh at my housekeeping struggles. Thank
you all for my happy wedding day.  Goodby, goodby!"

They stood watching her, with faces full of love and hope and tender
pride as she walked away, leaning on her husband's arm, with her hands
full of flowers and the June sunshine brightening her happy face  and
so Meg's married life began.



 Little Women by Louisa May Alcott chapter 26

ARTISTIC ATTEMPTS

It takes people a long time to learn the difference between talent and
genius, especially ambitious young men and women.  Amy was learning
this distinction through much tribulation, for mistaking enthusiasm for
inspiration, she attempted every branch of art with youthful audacity.
For a long time there was a lull in the 'mud pie' business, and she
devoted herself to the finest pen and ink drawing, in which she showed
such taste and skill that her graceful handiwork proved both pleasant
and profitable.  But over strained eyes caused pen and ink to be laid
aside for a bold attempt at poker sketching. While this attack lasted,
the family lived in constant fear of a conflagration, for the odor of
burning wood pervaded the house at all hours, smoke issued from attic
and shed with alarming frequency, red hot pokers lay about
promiscuously, and Hannah never went to bed without a pail of water and
the dinner bell at her door in case of fire.  Raphael's face was found
boldly executed on the underside of the moulding board, and Bacchus on
the head of a beer barrel.  A chanting cherub adorned the cover of the
sugar bucket, and attempts to portray Romeo and Juliet supplied
kindling for some time.

From fire to oil was a natural transition for burned fingers, and Amy
fell to painting with undiminished ardor.  An artist friend fitted her
out with his castoff palettes, brushes, and colors, and she daubed
away, producing pastoral and marine views such as were never seen on
land or sea.  Her monstrosities in the way of cattle would have taken
prizes at an agricultural fair, and the perilous pitching of her
vessels would have produced seasickness in the most nautical observer,
if the utter disregard to all known rules of shipbuilding and rigging
had not convulsed him with laughter at the first glance.  Swarthy boys
and dark eyed Madonnas, staring at you from one corner of the studio,
suggested Murillo; oily brown shadows of faces with a lurid streak in
the wrong place, meant Rembrandt; buxom ladies and dropiscal infants,
Rubens; and Turner appeared in tempests of blue thunder, orange
lightning, brown rain, and purple clouds, with a tomato colored splash
in the middle, which might be the sun or a bouy, a sailor's shirt or a
king's robe, as the spectator pleased.

Charcoal portraits came next, and the entire family hung in a row,
looking as wild and crocky as if just evoked from a coalbin. Softened
into crayon sketches, they did better, for the likenesses were good,
and Amy's hair, Jo's nose, Meg's mouth, and Laurie's eyes were
pronounced 'wonderfully fine'.  A return to clay and plaster followed,
and ghostly casts of her acquaintances haunted corners of the house, or
tumbled off closet shelves onto people's heads.  Children were enticed
in as models, till their incoherent accounts of her mysterious doings
caused Miss Amy to be regarded in the light of a young ogress.  Her
efforts in this line, however, were brought to an abrupt close by an
untoward accident, which quenched her ardor.  Other models failing her
for a time, she undertook to cast her own pretty foot, and the family
were one day alarmed by an unearthly bumping and screaming and running
to the rescue, found the young enthusiast hopping wildly about the shed
with her foot held fast in a pan full of plaster, which had hardened
with unexpected rapidity.  With much difficulty and some danger she was
dug out, for Jo was so overcome with laughter while she excavated that
her knife went too far, cut the poor foot, and left a lasting memorial
of one artistic attempt, at least.

After this Amy subsided, till a mania for sketching from nature set her
to haunting river, field, and wood, for picturesque studies, and
sighing for ruins to copy.  She caught endless colds sitting on damp
grass to book 'a delicious bit', composed of a stone, a stump, one
mushroom, and a broken mullein stalk, or 'a heavenly mass of clouds',
that looked like a choice display of featherbeds when done. She
sacrificed her complexion floating on the river in the midsummer sun to
study light and shade, and got a wrinkle over her nose trying after
'points of sight', or whatever the squint and string performance is
called.

If 'genius is eternal patience', as Michelangelo affirms, Amy had some
claim to the divine attribute, for she persevered in spite of all
obstacles, failures, and discouragements, firmly believing that in time
she should do something worthy to be called 'high art'.

She was learning, doing, and enjoying other things, meanwhile, for she
had resolved to be an attractive and accomplished woman, even if she
never became a great artist.  Here she succeeded better, for she was
one of those happily created beings who please without effort, make
friends everywhere, and take life so gracefully and easily that less
fortunate souls are tempted to believe that such are born under a lucky
star.  Everybody liked her, for among her good gifts was tact.  She had
an instinctive sense of what was pleasing and proper, always said the
right thing to the right person, did just what suited the time and
place, and was so self possessed that her sisters used to say, "If Amy
went to court without any rehearsal beforehand, she'd know exactly what
to do."

One of her weaknesses was a desire to move in 'our best society',
without being quite sure what the best really was.  Money, position,
fashionable accomplishments, and elegant manners were most desirable
things in her eyes, and she liked to associate with those who possessed
them, often mistaking the false for the true, and admiring what was not
admirable.  Never forgetting that by birth she was a gentlewoman, she
cultivated her aristocratic tastes and feelings, so that when the
opportunity came she might be ready to take the place from which
poverty now excluded her.

"My lady," as her friends called her, sincerely desired to be a genuine
lady, and was so at heart, but had yet to learn that money cannot buy
refinement of nature, that rank does not always confer nobility, and
that true breeding makes itself felt in spite of external drawbacks.

"I want to ask a favor of you, Mamma," Amy said, coming in with an
important air one day.

"Well, little girl, what is it?" replied her mother, in whose eyes the
stately young lady still remained 'the baby'.

"Our drawing class breaks up next week, and before the girls separate
for the summer, I want to ask them out here for a day.  They are wild
to see the river, sketch the broken bridge, and copy some of the things
they admire in my book.  They have been very kind to me in many ways,
and I am grateful, for they are all rich and I know I am poor, yet they
never made any difference."

"Why should they?" and Mrs. March put the question with what the girls
called her 'Maria Theresa air'.

"You know as well as I that it does make a difference with nearly
everyone, so don't ruffle up like a dear, motherly hen, when your
chickens get pecked by smarter birds.  The ugly duckling turned out a
swan, you know."  and Amy smiled without bitterness, for she possessed
a happy temper and hopeful spirit.

Mrs. March laughed, and smoothed down her maternal pride as she asked,
"Well, my swan, what is your plan?"

"I should like to ask the girls out to lunch next week, to take them
for a drive to the places they want to see, a row on the river,
perhaps, and make a little artistic fete for them."

"That looks feasible.  What do you want for lunch?  Cake, sandwiches,
fruit, and coffee will be all that is necessary, I suppose?"

"Oh, dear, no!  We must have cold tongue and chicken, French chocolate
and ice cream, besides.  The girls are used to such things, and I want
my lunch to be proper and elegant, though I do work for my living."

"How many young ladies are there?" asked her mother, beginning to look
sober.

"Twelve or fourteen in the class, but I dare say they won't all come."

"Bless me, child, you will have to charter an omnibus to carry them
about."

"Why, Mother, how can you think of such a thing?  Not more than six or
eight will probably come, so I shall hire a beach wagon and borrow Mr.
Laurence's cherry bounce." (Hannah's pronunciation of char a banc.)

"All of this will be expensive, Amy."

"Not very.  I've calculated the cost, and I'll pay for it myself."

"Don't you think, dear, that as these girls are used to such things,
and the best we can do will be nothing new, that some simpler plan
would be pleasanter to them, as a change if nothing more, and much
better for us than buying or borrowing what we don't need, and
attempting a style not in keeping with our circumstances?"

"If I can't have it as I like, I don't care to have it at all. I know
that I can carry it out perfectly well, if you and the girls will help
a little, and I don't see why I can't if I'm willing to pay for it,"
said Amy, with the decision which opposition was apt to change into
obstinacy.

Mrs. March knew that experience was an excellent teacher, and when it
was possible she left her children to learn alone the lessons which she
would gladly have made easier, if they had not objected to taking
advice as much as they did salts and senna.

"Very well, Amy, if your heart is set upon it, and you see your way
through without too great an outlay of money, time, and temper, I'll
say no more.  Talk it over with the girls, and whichever way you
decide, I'll do my best to help you."

"Thanks, Mother, you are always so kind." and away went Amy to lay her
plan before her sisters.

Meg agreed at once, and promised her aid, gladly offering anything she
possessed, from her little house itself to her very best saltspoons.
But Jo frowned upon the whole project and would have nothing to do with
it at first.

"Why in the world should you spend your money, worry your family, and
turn the house upside down for a parcel of girls who don't care a
sixpence for you?  I thought you had too much pride and sense to
truckle to any mortal woman just because she wears French boots and
rides in a coupe," said Jo, who, being called from the tragic climax of
her novel, was not in the best mood for social enterprises.

"I don't truckle, and I hate being patronized as much as you do!"
returned Amy indignantly, for the two still jangled when such questions
arose. "The girls do care for me, and I for them, and there's a great
deal of kindness and sense and talent among them, in spite of what you
call fashionable nonsense.  You don't care to make people like you, to
go into good society, and cultivate your manners and tastes.  I do, and
I mean to make the most of every chance that comes.  You can go through
the world with your elbows out and your nose in the air, and call it
independence, if you like.  That's not my way."

When Amy had whetted her tongue and freed her mind she usually got the
best of it, for she seldom failed to have common sense on her side,
while Jo carried her love of liberty and hate of conventionalities to
such an unlimited extent that she naturally found herself worsted in an
argument.  Amy's definition of Jo's idea of independence was such a
good hit that both burst out laughing, and the discussion took a more
amiable turn.  Much against her will, Jo at length consented to
sacrifice a day to Mrs. Grundy, and help her sister through what she
regarded as 'a nonsensical business'.

The invitations were sent, nearly all accepted, and the following
Monday was set apart for the grand event.  Hannah was out of humor
because her week's work was deranged, and prophesied that "ef the
washin' and ironin' warn't done reg'lar, nothin' would go well
anywheres".  This hitch in the mainspring of the domestic machinery had
a bad effect upon the whole concern, but Amy's motto was 'Nil
desperandum', and having made up her mind what to do, she proceeded to
do it in spite of all obstacles.  To begin with, Hannah's cooking
didn't turn out well.  The chicken was tough, the tongue too salty, and
the chocolate wouldn't froth properly.  Then the cake and ice cost more
than Amy expected, so did the wagon, and various other expenses, which
seemed trifling at the outset, counted up rather alarmingly afterward.
Beth got a cold and took to her bed.  Meg had an unusual number of
callers to keep her at home, and Jo was in such a divided state of mind
that her breakages, accidents, and mistakes were uncommonly numerous,
serious, and trying.

If it was not fair on Monday, the young ladies were to come on Tuesday,
an arrangement which aggravated Jo and Hannah to the last degree.  On
Monday morning the weather was in that undecided state which is more
exasperating than a steady pour.  It drizzled a little, shone a little,
blew a little, and didn't make up its mind till it was too late for
anyone else to make up theirs.  Amy was up at dawn, hustling people out
of their beds and through their breakfasts, that the house might be got
in order.  The parlor struck her as looking uncommonly shabby, but
without stopping to sigh for what she had not, she skillfully made the
best of what she had, arranging chairs over the worn places in the
carpet, covering stains on the walls with homemade statuary, which gave
an artistic air to the room, as did the lovely vases of flowers Jo
scattered about.

The lunch looked charming, and as she surveyed it, she sincerely hoped
it would taste well, and that the borrowed glass, china, and silver
would get safely home again.  The carriages were promised, Meg and
Mother were all ready to do the honors, Beth was able to help Hannah
behind the scenes, Jo had engaged to be as lively and amiable as an
absent mind, and aching head, and a very decided disapproval of
everybody and everything would allow, and as she wearily dressed, Amy
cheered herself with anticipations of the happy moment when, lunch
safely over, she should drive away with her friends for an afternoon of
artistic delights, for the 'cherry bounce' and the broken bridge were
her strong points.

Then came the hours of suspense, during which she vibrated from parlor
to porch, while public opinion varied like the weathercock.  A smart
shower at eleven had evidently quenched the enthusiasm of the young
ladies who were to arrive at twelve, for nobody came, and at two the
exhausted family sat down in a blaze of sunshine to consume the
perishable portions of the feast, that nothing might be lost.

"No doubt about the weather today, they will certainly come, so we must
fly round and be ready for them," said Amy, as the sun woke her next
morning.  She spoke briskly, but in her secret soul she wished she had
said nothing about Tuesday, for her interest like her cake was getting
a little stale.

"I can't get any lobsters, so you will have to do without salad today,"
said Mr. March, coming in half an hour later, with an expression of
placid despair.

"Use the chicken then, the toughness won't matter in a salad," advised
his wife.

"Hannah left it on the kitchen table a minute, and the kittens got at
it.  I'm very sorry, Amy," added Beth, who was still a patroness of
cats.

"Then I must have a lobster, for tongue alone won't do," said Amy
decidedly.

"Shall I rush into town and demand one?" asked Jo, with the magnanimity
of a martyr.

"You'd come bringing it home under your arm without any paper, just to
try me.  I'll go myself," answered Amy, whose temper was beginning to
fail.

Shrouded in a thick veil and armed with a genteel traveling basket, she
departed, feeling that a cool drive would soothe her ruffled spirit and
fit her for the labors of the day.  After some delay, the object of her
desire was procured, likewise a bottle of dressing to prevent further
loss of time at home, and off she drove again, well pleased with her
own forethought.

As the omnibus contained only one other passenger, a sleepy old lady,
Amy pocketed her veil and beguiled the tedium of the way by trying to
find out where all her money had gone to.  So busy was she with her
card full of refractory figures that she did not observe a newcomer,
who entered without stopping the vehicle, till a masculine voice said,
"Good morning, Miss March," and, looking up, she beheld one of Laurie's
most elegant college friends.  Fervently hoping that he would get out
before she did, Amy utterly ignored the basket at her feet, and
congratulating herself that she had on her new traveling dress,
returned the young man's greeting with her usual suavity and spirit.

They got on excellently, for Amy's chief care was soon set at rest by
learning that the gentleman would leave first, and she was chatting
away in a peculiarly lofty strain, when the old lady got out. In
stumbling to the door, she upset the basket, and  oh horror!  the
lobster, in all its vulgar size and brilliancy, was revealed to the
highborn eyes of a Tudor!

"By Jove, she's forgotten her dinner!" cried the unconscious youth,
poking the scarlet monster into its place with his cane, and preparing
to hand out the basket after the old lady.

"Please don't  it's  it's mine," murmured Amy, with a face nearly as
red as her fish.

"Oh, really, I beg pardon.  It's an uncommonly fine one, isn't it?"
said Tudor, with great presence of mind, and an air of sober interest
that did credit to his breeding.

Amy recovered herself in a breath, set her basket boldly on the seat,
and said, laughing, "Don't you wish you were to have some of the salad
he's going to make, and to see the charming young ladies who are to eat
it?"

Now that was tact, for two of the ruling foibles of the masculine mind
were touched.  The lobster was instantly surrounded by a halo of
pleasing reminiscences, and curiosity about 'the charming young ladies'
diverted his mind from the comical mishap.

"I suppose he'll laugh and joke over it with Laurie, but I shan't see
them, that's a comfort," thought Amy, as Tudor bowed and departed.

She did not mention this meeting at home (though she discovered that,
thanks to the upset, her new dress was much damaged by the rivulets of
dressing that meandered down the skirt), but went through with the
preparations which now seemed more irksome than before, and at twelve
o'clock all was ready again.  Feeling that the neighbors were
interested in her movements, she wished to efface the memory of
yesterday's failure by a grand success today, so she ordered the
'cherry bounce', and drove away in state to meet and escort her guests
to the banquet.

"There's the rumble, they're coming!  I'll go onto the porch and meet
them.  It looks hospitable, and I want the poor child to have a good
time after all her trouble," said Mrs. March, suiting the action to the
word.  But after one glance, she retired, with an indescribable
expression, for looking quite lost in the big carriage, sat Amy and one
young lady.

"Run, Beth, and help Hannah clear half the things off the table. It
will be too absurd to put a luncheon for twelve before a single girl,"
cried Jo, hurrying away to the lower regions, too excited to stop even
for a laugh.

In came Amy, quite calm and delightfully cordial to the one guest who
had kept her promise.  The rest of the family, being of a dramatic
turn, played their parts equally well, and Miss Eliott found them a
most hilarious set, for it was impossible to control entirely the
merriment which possessed them.  The remodeled lunch being gaily
partaken of, the studio and garden visited, and art discussed with
enthusiasm, Amy ordered a buggy (alas for the elegant cherry bounce),
and drove her friend quietly about the neighborhood till sunset, when
'the party went out'.

As she came walking in, looking very tired but as composed as ever, she
observed that every vestige of the unfortunate fete had disappeared,
except a suspicious pucker about the corners of Jo's mouth.

"You've had a loverly afternoon for your drive, dear," said her mother,
as respectfully as if the whole twelve had come.

"Miss Eliott is a very sweet girl, and seemed to enjoy herself, I
thought," observed Beth, with unusual warmth.

"Could you spare me some of your cake?  I really need some, I have so
much company, and I can't make such delicious stuff as yours," asked
Meg soberly.

"Take it all.  I'm the only one here who likes sweet things, and it
will mold before I can dispose of it," answered Amy, thinking with a
sigh of the generous store she had laid in for such an end as this.

"It's a pity Laurie isn't here to help us," began Jo, as they sat down
to ice cream and salad for the second time in two days.

A warning look from her mother checked any further remarks, and the
whole family ate in heroic silence, till Mr. March mildly observed,
"salad was one of the favorite dishes of the ancients, and Evelyn..."
Here a general explosion of laughter cut short the 'history of salads',
to the great surprise of the learned gentleman.

"Bundle everything into a basket and send it to the Hummels.  Germans
like messes.  I'm sick of the sight of this, and there's no reason you
should all die of a surfeit because I've been a fool," cried Amy,
wiping her eyes.

"I thought I should have died when I saw you two girls rattling about
in the what you call it, like two little kernels in a very big
nutshell, and Mother waiting in state to receive the throng," sighed
Jo, quite spent with laughter.

"I'm very sorry you were disappointed, dear, but we all did our best to
satisfy you," said Mrs. March, in a tone full of motherly regret.

"I am satisfied.  I've done what I undertook, and it's not my fault
that it failed.  I comfort myself with that," said Amy with a little
quiver in her voice.  "I thank you all very much for helping me, and
I'll thank you still more if you won't allude to it for a month, at
least."

No one did for several months, but the word 'fete' always produced a
general smile, and Laurie's birthday gift to Amy was a tiny coral
lobster in the shape of a charm for her watch guard.



 Little Women by Louisa May Alcott chapter 27

LITERARY LESSONS

Fortune suddenly smiled upon Jo, and dropped a good luck penny in her
path.  Not a golden penny, exactly, but I doubt if half a million would
have given more real happiness then did the little sum that came to her
in this wise.

Every few weeks she would shut herself up in her room, put on her
scribbling suit, and 'fall into a vortex', as she expressed it, writing
away at her novel with all her heart and soul, for till that was
finished she could find no peace.  Her 'scribbling suit' consisted of a
black woolen pinafore on which she could wipe her pen at will, and a
cap of the same material, adorned with a cheerful red bow, into which
she bundled her hair when the decks were cleared for action.  This cap
was a beacon to the inquiring eyes of her family, who during these
periods kept their distance, merely popping in their heads
semi occasionally to ask, with interest, "Does genius burn, Jo?" They
did not always venture even to ask this question, but took an
observation of the cap, and judged accordingly.  If this expressive
article of dress was drawn low upon the forehead, it was a sign that
hard work was going on, in exciting moments it was pushed rakishly
askew, and when despair seized the author it was plucked wholly off,
and cast upon the floor.  At such times the intruder silently withdrew,
and not until the red bow was seen gaily erect upon the gifted brow,
did anyone dare address Jo.

She did not think herself a genius by any means, but when the writing
fit came on, she gave herself up to it with entire abandon, and led a
blissful life, unconscious of want, care, or bad weather, while she sat
safe and happy in an imaginary world, full of friends almost as real
and dear to her as any in the flesh.  Sleep forsook her eyes, meals
stood untasted, day and night were all too short to enjoy the happiness
which blessed her only at such times, and made these hours worth
living, even if they bore no other fruit.  The devine afflatus usually
lasted a week or two, and then she emerged from her 'vortex', hungry,
sleepy, cross, or despondent.

She was just recovering from one of these attacks when she was
prevailed upon to escort Miss Crocker to a lecture, and in return for
her virtue was rewarded with a new idea.  It was a People's Course, the
lecture on the Pyramids, and Jo rather wondered at the choice of such a
subject for such an audience, but took it for granted that some great
social evil would be remedied or some great want supplied by unfolding
the glories of the Pharaohs to an audience whose thoughts were busy
with the price of coal and flour, and whose lives were spent in trying
to solve harder riddles than that of the Sphinx.

They were early, and while Miss Crocker set the heel of her stocking,
Jo amused herself by examining the faces of the people who occupied the
seat with them.  On her left were two matrons, with massive foreheads
and bonnets to match, discussing Women's Rights and making tatting.
Beyond sat a pair of humble lovers, artlessly holding each other by the
hand, a somber spinster eating peppermints out of a paper bag, and an
old gentleman taking his preparatory nap behind a yellow bandanna.  On
her right, her only neighbor was a studious looking lad absorbed in a
newspaper.

It was a pictorial sheet, and Jo examined the work of art nearest her,
idly wondering what fortuitous concatenation of circumstances needed
the melodramatic illustration of an Indian in full war costume,
tumbling over a precipice with a wolf at his throat, while two
infuriated young gentlemen, with unnaturally small feet and big eyes,
were stabbing each other close by, and a disheveled female was flying
away in the background with her mouth wide open.  Pausing to turn a
page, the lad saw her looking and, with boyish good nature offered half
his paper, saying bluntly, "want to read it? That's a first rate story."

Jo accepted it with a smile, for she had never outgrown her liking for
lads, and soon found herself involved in the usual labyrinth of love,
mystery, and murder, for the story belonged to that class of light
literature in which the passions have a holiday, and when the author's
invention fails, a grand catastrophe clears the stage of one half the
dramatis personae, leaving the other half to exult over their downfall.

"Prime, isn't it?" asked the boy, as her eye went down the last
paragraph of her portion.

"I think you and I could do as well as that if we tried," returned Jo,
amused at his admiration of the trash.

"I should think I was a pretty lucky chap if I could.  She makes a good
living out of such stories, they say." and he pointed to the name of
Mrs. S.L.A.N.G.  Northbury, under the title of the tale.

"Do you know her?" asked Jo, with sudden interest.

"No, but I read all her pieces, and I know a fellow who works in the
office where this paper is printed."

"Do you say she makes a good living out of stories like this?" and Jo
looked more respectfully at the agitated group and thickly sprinkled
exclamation points that adorned the page.

"Guess she does!  She knows just what folks like, and gets paid well
for writing it."

Here the lecture began, but Jo heard very little of it, for while
Professor Sands was prosing away about Belzoni, Cheops, scarabei, and
hieroglyphics, she was covertly taking down the address of the paper,
and boldly resolving to try for the hundred dollar prize offered in its
columns for a sensational story.  By the time the lecture ended and the
audience awoke, she had built up a splendid fortune for herself (not
the first founded on paper), and was already deep in the concoction of
her story, being unable to decide whether the duel should come before
the elopement or after the murder.

She said nothing of her plan at home, but fell to work next day, much
to the disquiet of her mother, who always looked a little anxious when
'genius took to burning'.  Jo had never tried this style before,
contenting herself with very mild romances for  The Spread Eagle .  Her
experience and miscellaneous reading were of service now, for they gave
her some idea of dramatic effect, and supplied plot, language, and
costumes.  Her story was as full of desperation and despair as her
limited acquaintance with those uncomfortable emotions enabled her to
make it, and having located it in Lisbon, she wound up with an
earthquake, as a striking and appropriate denouement.  The manuscript
was privately dispatched, accompanied by a note, modestly saying that
if the tale didn't get the prize, which the writer hardly dared expect,
she would be very glad to receive any sum it might be considered worth.

Six weeks is a long time to wait, and a still longer time for a girl to
keep a secret, but Jo did both, and was just beginning to give up all
hope of ever seeing her manuscript again, when a letter arrived which
almost took her breath away, for on opening it, a check for a hundred
dollars fell into her lap.  For a minute she stared at it as if it had
been a snake, then she read her letter and began to cry.  If the
amiable gentleman who wrote that kindly note could have known what
intense happiness he was giving a fellow creature, I think he would
devote his leisure hours, if he has any, to that amusement, for Jo
valued the letter more than the money, because it was encouraging, and
after years of effort it was so pleasant to find that she had learned
to do something, though it was only to write a sensation story.

A prouder young woman was seldom seen than she, when, having composed
herself, she electrified the family by appearing before them with the
letter in one hand, the check in the other, announcing that she had won
the prize.  Of course there was a great jubilee, and when the story
came everyone read and praised it, though after her father had told her
that the language was good, the romance fresh and hearty, and the
tragedy quite thrilling, he shook his head, and said in his unworldly
way...

"You can do better than this, Jo.  Aim at the highest, and never mind
the money."

"I think the money is the best part of it.  What will you do with such
a fortune?" asked Amy, regarding the magic slip of paper with a
reverential eye.

"Send Beth and Mother to the seaside for a month or two," answered Jo
promptly.

To the seaside they went, after much discussion, and though Beth didn't
come home as plump and rosy as could be desired, she was much better,
while Mrs. March declared she felt ten years younger.  So Jo was
satisfied with the investment of her prize money, and fell to work with
a cheery spirit, bent on earning more of those delightful checks. She
did earn several that year, and began to feel herself a power in the
house, for by the magic of a pen, her 'rubbish' turned into comforts
for them all.  The Duke's Daughter paid the butcher's bill, A Phantom
Hand put down a new carpet, and the Curse of the Coventrys proved the
blessing of the Marches in the way of groceries and gowns.

Wealth is certainly a most desirable thing, but poverty has its sunny
side, and one of the sweet uses of adversity is the genuine
satisfaction which comes from hearty work of head or hand, and to the
inspiration of necessity, we owe half the wise, beautiful, and useful
blessings of the world.  Jo enjoyed a taste of this satisfaction, and
ceased to envy richer girls, taking great comfort in the knowledge that
she could supply her own wants, and need ask no one for a penny.

Little notice was taken of her stories, but they found a market, and
encouraged by this fact, she resolved to make a bold stroke for fame
and fortune.  Having copied her novel for the fourth time, read it to
all her confidential friends, and submitted it with fear and trembling
to three publishers, she at last disposed of it, on condition that she
would cut it down one third, and omit all the parts which she
particularly admired.

"Now I must either bundle it back in to my tin kitchen to mold, pay for
printing it myself, or chop it up to suit purchasers and get what I can
for it.  Fame is a very good thing to have in the house, but cash is
more convenient, so I wish to take the sense of the meeting on this
important subject," said Jo, calling a family council.

"Don't spoil your book, my girl, for there is more in it than you know,
and the idea is well worked out.  Let it wait and ripen," was her
father's advice, and he practiced what he preached, having waited
patiently thirty years for fruit of his own to ripen, and being in no
haste to gather it even now when it was sweet and mellow.

"It seems to me that Jo will profit more by taking the trial than by
waiting," said Mrs. March.  "Criticism is the best test of such work,
for it will show her both unsuspected merits and faults, and help her
to do better next time.  We are too partial, but the praise and blame
of outsiders will prove useful, even if she gets but little money."

"Yes," said Jo, knitting her brows, "that's just it.  I've been fussing
over the thing so long, I really don't know whether it's good, bad, or
indifferent.  It will be a great help to have cool, impartial persons
take a look at it, and tell me what they think of it."

"I wouldn't leave a word out of it.  You'll spoil it if you do, for the
interest of the story is more in the minds than in the actions of the
people, and it will be all a muddle if you don't explain as you go on,"
said Meg, who firmly believed that this book was the most remarkable
novel ever written.

"But Mr. Allen says, 'Leave out the explanations, make it brief and
dramatic, and let the characters tell the story'," interrupted Jo,
turning to the publisher's note.

"Do as he tells you.  He knows what will sell, and we don't. Make a
good, popular book, and get as much money as you can. By and by, when
you've got a name, you can afford to digress, and have philosophical
and metaphysical people in your novels," said Amy, who took a strictly
practical view of the subject.

"Well," said Jo, laughing, "if my people are 'philosophical and
metaphysical', it isn't my fault, for I know nothing about such things,
except what I hear father say, sometimes.  If I've got some of his wise
ideas jumbled up with my romance, so much the better for me.  Now,
Beth, what do you say?"

"I should so like to see it printed soon," was all Beth said, and
smiled in saying it.  But there was an unconscious emphasis on the last
word, and a wistful look in the eyes that never lost their childlike
candor, which chilled Jo's heart for a minute with a forboding fear,
and decided her to make her little venture 'soon'.

So, with Spartan firmness, the young authoress laid her first born on
her table, and chopped it up as ruthlessly as any ogre.  In the hope of
pleasing everyone, she took everyone's advice, and like the old man and
his donkey in the fable suited nobody.

Her father liked the metaphysical streak which had unconsciously got
into it, so that was allowed to remain though she had her doubts about
it.  Her mother thought that there was a trifle too much description.
Out, therefore it came, and with it many necessary links in the story.
Meg admired the tragedy, so Jo piled up the agony to suit her, while
Amy objected to the fun, and, with the best intentions in life, Jo
quenched the spritly scenes which relieved the somber character of the
story.  Then, to complicate the ruin, she cut it down one third, and
confidingly sent the poor little romance, like a picked robin, out into
the big, busy world to try its fate.

Well, it was printed, and she got three hundred dollars for it,
likewise plenty of praise and blame, both so much greater than she
expected that she was thrown into a state of bewilderment from which it
took her some time to recover.

"You said, Mother, that criticism would help me.  But how can it, when
it's so contradictory that I don't know whether I've written a
promising book or broken all the ten commandments?" cried poor Jo,
turning over a heap of notices, the perusal of which filled her with
pride and joy one minute, wrath and dismay the next.  "This man says,
'An exquisite book, full of truth, beauty, and earnestness.' 'All is
sweet, pure, and healthy.'" continued the perplexed authoress.  "The
next, 'The theory of the book is bad, full of morbid fancies,
spiritualistic ideas, and unnatural characters.' Now, as I had no
theory of any kind, don't believe in Spiritualism, and copied my
characters from life, I don't see how this critic can be right.
Another says, 'It's one of the best American novels which has appeared
for years.' (I know better than that), and the next asserts that
'Though it is original, and written with great force and feeling, it is
a dangerous book.' 'Tisn't!  Some make fun of it, some overpraise, and
nearly all insist that I had a deep theory to expound, when I only
wrote it for the pleasure and the money.  I wish I'd printed the whole
or not at all, for I do hate to be so misjudged."

Her family and friends administered comfort and commendation liberally.
Yet it was a hard time for sensitive, high spirited Jo, who meant so
well and had apparently done so ill.  But it did her good, for those
whose opinion had real value gave her the criticism which is an
author's best education, and when the first soreness was over, she
could laugh at her poor little book, yet believe in it still, and feel
herself the wiser and stronger for the buffeting she had received.

"Not being a genius, like Keats, it won't kill me," she said stoutly,
"and I've got the joke on my side, after all, for the parts that were
taken straight out of real life are denounced as impossible and absurd,
and the scenes that I made up out of my own silly head are pronounced
'charmingly natural, tender, and true'.  So I'll comfort myself with
that, and when I'm ready, I'll up again and take another."



 Little Women by Louisa May Alcott chapter 28

DOMESTIC EXPERIENCES

Like most other young matrons, Meg began her married life with the
determination to be a model housekeeper.  John should find home a
paradise, he should always see a smiling face, should fare sumptuously
every day, and never know the loss of a button.  She brought so much
love, energy, and cheerfulness to the work that she could not but
succeed, in spite of some obstacles.  Her paradise was not a tranquil
one, for the little woman fussed, was over anxious to please, and
bustled about like a true Martha, cumbered with many cares.  She was
too tired, sometimes, even to smile, John grew dyspeptic after a course
of dainty dishes and ungratefully demanded plain fare.  As for buttons,
she soon learned to wonder where they went, to shake her head over the
carelessness of men, and to threaten to make him sew them on himself,
and see if his work would stand impatient and clumsy fingers any better
than hers.

They were very happy, even after they discovered that they couldn't
live on love alone.  John did not find Meg's beauty diminished, though
she beamed at him from behind the familiar coffee pot.  Nor did Meg
miss any of the romance from the daily parting, when her husband
followed up his kiss with the tender inquiry, "Shall I send some veal
or mutton for dinner, darling?" The little house ceased to be a
glorified bower, but it became a home, and the young couple soon felt
that it was a change for the better.  At first they played keep house,
and frolicked over it like children.  Then John took steadily to
business, feeling the cares of the head of a family upon his shoulders,
and Meg laid by her cambric wrappers, put on a big apron, and fell to
work, as before said, with more energy than discretion.

While the cooking mania lasted she went through Mrs. Cornelius's
Receipt Book as if it were a mathematical exercise, working out the
problems with patience and care.  Sometimes her family were invited in
to help eat up a too bounteous feast of successes, or Lotty would be
privately dispatched with a batch of failures, which were to be
concealed from all eyes in the convenient stomachs of the little
Hummels.  An evening with John over the account books usually produced
a temporary lull in the culinary enthusiasm, and a frugal fit would
ensue, during which the poor man was put through a course of bread
pudding, hash, and warmed over coffee, which tried his soul, although
he bore it with praiseworthy fortitude.  Before the golden mean was
found, however, Meg added to her domestic possessions what young
couples seldom get on long without, a family jar.

Fired a with housewifely wish to see her storeroom stocked with
homemade preserves, she undertook to put up her own currant jelly. John
was requested to order home a dozen or so of little pots and an extra
quantity of sugar, for their own currants were ripe and were to be
attended to at once.  As John firmly believed that 'my wife' was equal
to anything, and took a natural pride in her skill, he resolved that
she should be gratified, and their only crop of fruit laid by in a most
pleasing form for winter use.  Home came four dozen delightful little
pots, half a barrel of sugar, and a small boy to pick the currants for
her.  With her pretty hair tucked into a little cap, arms bared to the
elbow, and a checked apron which had a coquettish look in spite of the
bib, the young housewife fell to work, feeling no doubts about her
success, for hadn't she seen Hannah do it hundreds of times?  The array
of pots rather amazed her at first, but John was so fond of jelly, and
the nice little jars would look so well on the top shelf, that Meg
resolved to fill them all, and spent a long day picking, boiling,
straining, and fussing over her jelly.  She did her best, she asked
advice of Mrs. Cornelius, she racked her brain to remember what Hannah
did that she left undone, she reboiled, resugared, and restrained, but
that dreadful stuff wouldn't 'jell'.

She longed to run home, bib and all, and ask Mother to lend her a hand,
but John and she had agreed that they would never annoy anyone with
their private worries, experiments, or quarrels.  They had laughed over
that last word as if the idea it suggested was a most preposterous one,
but they had held to their resolve, and whenever they could get on
without help they did so, and no one interfered, for Mrs. March had
advised the plan.  So Meg wrestled alone with the refractory sweetmeats
all that hot summer day, and at five o'clock sat down in her
topsy turvey kitchen, wrung her bedaubed hands, lifted up her voice and
wept.

Now, in the first flush of the new life, she had often said, "My
husband shall always feel free to bring a friend home whenever he
likes.  I shall always be prepared.  There shall be no flurry, no
scolding, no discomfort, but a neat house, a cheerful wife, and a good
dinner.  John, dear, never stop to ask my leave, invite whom you
please, and be sure of a welcome from me."

How charming that was, to be sure!  John quite glowed with pride to
hear her say it, and felt what a blessed thing it was to have a
superior wife.  But, although they had had company from time to time,
it never happened to be unexpected, and Meg had never had an
opportunity to distinguish herself till now.  It always happens so in
this vale of tears, there is an inevitability about such things which
we can only wonder at, deplore, and bear as we best can.

If John had not forgotten all about the jelly, it really would have
been unpardonable in him to choose that day, of all the days in the
year, to bring a friend home to dinner unexpectedly.  Congratulating
himself that a handsome repast had been ordered that morning, feeling
sure that it would be ready to the minute, and indulging in pleasant
anticipations of the charming effect it would produce, when his pretty
wife came running out to meet him, he escorted his friend to his
mansion, with the irrepressible satisfaction of a young host and
husband.

It is a world of disappointments, as John discovered when he reached
the Dovecote.  The front door usually stood hospitably open. Now it was
not only shut, but locked, and yesterday's mud still adorned the steps.
The parlor windows were closed and curtained, no picture of the pretty
wife sewing on the piazza, in white, with a distracting little bow in
her hair, or a bright eyed hostess, smiling a shy welcome as she
greeted her guest.  Nothing of the sort, for not a soul appeared but a
sanginary looking boy asleep under the current bushes.

"I'm afraid something has happened.  Step into the garden, Scott, while
I look up Mrs. Brooke," said John, alarmed at the silence and solitude.

Round the house he hurried, led by a pungent smell of burned sugar, and
Mr. Scott strolled after him, with a queer look on his face.  He paused
discreetly at a distance when Brooke disappeared, but he could both see
and hear, and being a bachelor, enjoyed the prospect mightily.

In the kitchen reigned confusion and despair.  One edition of jelly was
trickled from pot to pot, another lay upon the floor, and a third was
burning gaily on the stove.  Lotty, with Teutonic phlegm, was calmly
eating bread and currant wine, for the jelly was still in a hopelessly
liquid state, while Mrs. Brooke, with her apron over her head, sat
sobbing dismally.

"My dearest girl, what is the matter?" cried John, rushing in, with
awful visions of scalded hands, sudden news of affliction, and secret
consternation at the thought of the guest in the garden.

"Oh, John, I am so tired and hot and cross and worried!  I've been at
it till I'm all worn out.  Do come and help me or I shall die!" and the
exhausted housewife cast herself upon his breast, giving him a sweet
welcome in every sense of the word, for her pinafore had been baptized
at the same time as the floor.

"What worries you dear?  Has anything dreadful happened?" asked the
anxious John, tenderly kissing the crown of the little cap, which was
all askew.

"Yes," sobbed Meg despairingly.

"Tell me quick, then.  Don't cry.  I can bear anything better than
that.  Out with it, love."

"The... The jelly won't jell and I don't know what to do!"

John Brooke laughed then as he never dared to laugh afterward, and the
derisive Scott smiled involuntarily as he heard the hearty peal, which
put the finishing stroke to poor Meg's woe.

"Is that all?  Fling it out of the window, and don't bother any more
about it.  I'll buy you quarts if you want it, but for heaven's sake
don't have hysterics, for I've brought Jack Scott home to dinner,
and..."

John got no further, for Meg cast him off, and clasped her hands with a
tragic gesture as she fell into a chair, exclaiming in a tone of
mingled indignation, reproach, and dismay...

"A man to dinner, and everything in a mess!  John Brooke, how could you
do such a thing?"

"Hush, he's in the garden!  I forgot the confounded jelly, but it can't
be helped now," said John, surveying the prospect with an anxious eye.

"You ought to have sent word, or told me this morning, and you ought to
have remembered how busy I was," continued Meg petulantly, for even
turtledoves will peck when ruffled.

"I didn't know it this morning, and there was no time to send word, for
I met him on the way out.  I never thought of asking leave, when you
have always told me to do as I liked.  I never tried it before, and
hang me if I ever do again!" added John, with an aggrieved air.

"I should hope not!  Take him away at once.  I can't see him, and there
isn't any dinner."

"Well, I like that!  Where's the beef and vegetables I sent home, and
the pudding you promised?" cried John, rushing to the larder.

"I hadn't time to cook anything.  I meant to dine at Mother's. I'm
sorry, but I was so busy," and Meg's tears began again.

John was a mild man, but he was human, and after a long day's work to
come home tired, hungry, and hopeful, to find a chaotic house, an empty
table, and a cross wife was not exactly conducive to repose of mind or
manner.  He restrained himself however, and the little squall would
have blown over, but for one unlucky word.

"It's a scrape, I acknowledge, but if you will lend a hand, we'll pull
through and have a good time yet.  Don't cry, dear, but just exert
yourself a bit, and fix us up something to eat.  We're both as hungry
as hunters, so we shan't mind what it is.  Give us the cold meat, and
bread and cheese.  We won't ask for jelly."

He meant it to be a good natured joke, but that one word sealed his
fate.  Meg thought it was too cruel to hint about her sad failure, and
the last atom of patience vanished as he spoke.

"You must get yourself out of the scrape as you can.  I'm too used up
to 'exert' myself for anyone.  It's like a man to propose a bone and
vulgar bread and cheese for company.  I won't have anything of the sort
in my house.  Take that Scott up to Mother's, and tell him I'm away,
sick, dead, anything.  I won't see him, and you two can laugh at me and
my jelly as much as you like.  You won't have anything else here."  and
having delivered her defiance all on one breath, Meg cast away her
pinafore and precipitately left the field to bemoan herself in her own
room.

What those two creatures did in her absence, she never knew, but Mr.
Scott was not taken 'up to Mother's', and when Meg descended, after
they had strolled away together, she found traces of a promiscuous
lunch which filled her with horror.  Lotty reported that they had eaten
"a much, and greatly laughed, and the master bid her throw away all the
sweet stuff, and hide the pots."

Meg longed to go and tell Mother, but a sense of shame at her own
short comings, of loyalty to John, "who might be cruel, but nobody
should know it," restrained her, and after a summary cleaning up, she
dressed herself prettily, and sat down to wait for John to come and be
forgiven.

Unfortunately, John didn't come, not seeing the matter in that light.
He had carried it off as a good joke with Scott, excused his little
wife as well as he could, and played the host so hospitably that his
friend enjoyed the impromptu dinner, and promised to come again, but
John was angry, though he did not show it, he felt that Meg had
deserted him in his hour of need.  "It wasn't fair to tell a man to
bring folks home any time, with perfect freedom, and when he took you
at your word, to flame up and blame him, and leave him in the lurch, to
be laughed at or pitied.  No, by George, it wasn't! And Meg must know
it."

He had fumed inwardly during the feast, but when the flurry was over
and he strolled home after seeing Scott off, a milder mood came over
him.  "Poor little thing!  It was hard upon her when she tried so
heartily to please me.  She was wrong, of course, but then she was
young.  I must be patient and teach her."  He hoped she had not gone
home  he hated gossip and interference.  For a minute he was ruffled
again at the mere thought of it, and then the fear that Meg would cry
herself sick softened his heart, and sent him on at a quicker pace,
resolving to be calm and kind, but firm, quite firm, and show her where
she had failed in her duty to her spouse.

Meg likewise resolved to be 'calm and kind, but firm', and show him his
duty.  She longed to run to meet him, and beg pardon, and be kissed and
comforted, as she was sure of being, but, of course, she did nothing of
the sort, and when she saw John coming, began to hum quite naturally,
as she rocked and sewed, like a lady of leisure in her best parlor.

John was a little disappointed not to find a tender Niobe, but feeling
that his dignity demanded the first apology, he made none, only came
leisurely in and laid himself upon the sofa with the singularly
relevant remark, "We are going to have a new moon, my dear."

"I've no objection," was Meg's equally soothing remark.  A few other
topics of general interest were introduced by Mr. Brooke and
wet blanketed by Mrs. Brooke, and conversation languished.  John went
to one window, unfolded his paper, and wrapped himself in it,
figuratively speaking.  Meg went to the other window, and sewed as if
new rosettes for slippers were among the necessaries of life. Neither
spoke.  Both looked quite 'calm and firm', and both felt desperately
uncomfortable.

"Oh, dear," thought Meg, "married life is very trying, and does need
infinite patience as well as love, as Mother says."  The word 'Mother'
suggested other maternal counsels given long ago, and received with
unbelieving protests.

"John is a good man, but he has his faults, and you must learn to see
and bear with them, remembering your own.  He is very decided, but
never will be obstinate, if you reason kindly, not oppose impatiently.
He is very accurate, and particular about the truth  a good trait,
though you call him 'fussy'. Never deceive him by look or word, Meg,
and he will give you the confidence you deserve, the support you need.
He has a temper, not like ours  one flash and then all over  but the
white, still anger that is seldom stirred, but once kindled is hard to
quench.  Be careful, be very careful, not to wake his anger against
yourself, for peace and happiness depend on keeping his respect.  Watch
yourself, be the first to ask pardon if you both err, and guard against
the little piques, misunderstandings, and hasty words that often pave
the way for bitter sorrow and regret."

These words came back to Meg, as she sat sewing in the sunset,
especially the last.  This was the first serious disagreement, her own
hasty speeches sounded both silly and unkind, as she recalled them, her
own anger looked childish now, and thoughts of poor John coming home to
such a scene quite melted her heart.  She glanced at him with tears in
her eyes, but he did not see them.  She put down her work and got up,
thinking, "I will be the first to say, 'Forgive me'", but he did not
seem to hear her.  She went very slowly across the room, for pride was
hard to swallow, and stood by him, but he did not turn his head.  For a
minute she felt as if she really couldn't do it, then came the thought,
"This is the beginning. I'll do my part, and have nothing to reproach
myself with," and stooping down, she softly kissed her husband on the
forehead. Of course that settled it.  The penitent kiss was better than
a world of words, and John had her on his knee in a minute, saying
tenderly...

"It was too bad to laugh at the poor little jelly pots. Forgive me,
dear.  I never will again!"

But he did, oh bless you, yes, hundreds of times, and so did Meg, both
declaring that it was the sweetest jelly they ever made, for family
peace was preserved in that little family jar.

After this, Meg had Mr. Scott to dinner by special invitation, and
served him up a pleasant feast without a cooked wife for the first
course, on which occasion she was so gay and gracious, and made
everything go off so charmingly, that Mr. Scott told John he was a
lucky fellow, and shook his head over the hardships of bachelorhood all
the way home.

In the autumn, new trials and experiences came to Meg.  Sallie Moffat
renewed her friendship, was always running out for a dish of gossip at
the little house, or inviting 'that poor dear' to come in and spend the
day at the big house.  It was pleasant, for in dull weather Meg often
felt lonely.  All were busy at home, John absent till night, and
nothing to do but sew, or read, or potter about.  So it naturally fell
out that Meg got into the way of gadding and gossiping with her friend.
Seeing Sallie's pretty things made her long for such, and pity herself
because she had not got them.  Sallie was very kind, and often offered
her the coveted trifles, but Meg declined them, knowing that John
wouldn't like it, and then this foolish little woman went and did what
John disliked even worse.

She knew her husband's income, and she loved to feel that he trusted
her, not only with his happiness, but what some men seem to value
more  his money.  She knew where it was, was free to take what she
liked, and all he asked was that she should keep account of every
penny, pay bills once a month, and remember that she was a poor man's
wife.  Till now she had done well, been prudent and exact, kept her
little account books neatly, and showed them to him monthly without
fear.  But that autumn the serpent got into Meg's paradise, and tempted
her like many a modern Eve, not with apples, but with dress.  Meg
didn't like to be pitied and made to feel poor.  It irritated her, but
she was ashamed to confess it, and now and then she tried to console
herself by buying something pretty, so that Sallie needn't think she
had to economize.  She always felt wicked after it, for the pretty
things were seldom necessaries, but then they cost so little, it wasn't
worth worrying about, so the trifles increased unconsciously, and in
the shopping excursions she was no longer a passive looker on.

But the trifles cost more than one would imagine, and when she cast up
her accounts at the end of the month the sum total rather scared her.
John was busy that month and left the bills to her, the next month he
was absent, but the third he had a grand quarterly settling up, and Meg
never forgot it.  A few days before she had done a dreadful thing, and
it weighed upon her conscience.  Sallie had been buying silks, and Meg
longed for a new one, just a handsome light one for parties, her black
silk was so common, and thin things for evening wear were only proper
for girls.  Aunt March usually gave the sisters a present of
twenty five dollars apiece at New Year's.  That was only a month to
wait, and here was a lovely violet silk going at a bargain, and she had
the money, if she only dared to take it.  John always said what was his
was hers, but would he think it right to spend not only the prospective
five and twenty, but another five and twenty out of the household fund?
That was the question. Sallie had urged her to do it, had offered to
lend the money, and with the best intentions in life had tempted Meg
beyond her strength. In an evil moment the shopman held up the lovely,
shimmering folds, and said, "A bargain, I assure, you, ma'am." She
answered, "I'll take it," and it was cut off and paid for, and Sallie
had exulted, and she had laughed as if it were a thing of no
consequence, and driven away, feeling as if she had stolen something,
and the police were after her.

When she got home, she tried to assuage the pangs of remorse by
spreading forth the lovely silk, but it looked less silvery now, didn't
become her, after all, and the words 'fifty dollars' seemed stamped
like a pattern down each breadth.  She put it away, but it haunted her,
not delightfully as a new dress should, but dreadfully like the ghost
of a folly that was not easily laid.  When John got out his books that
night, Meg's heart sank, and for the first time in her married life,
she was afraid of her husband.  The kind, brown eyes looked as if they
could be stern, and though he was unusually merry, she fancied he had
found her out, but didn't mean to let her know it.  The house bills
were all paid, the books all in order. John had praised her, and was
undoing the old pocketbook which they called the 'bank', when Meg,
knowing that it was quite empty, stopped his hand, saying nervously...

"You haven't seen my private expense book yet."

John never asked to see it, but she always insisted on his doing so,
and used to enjoy his masculine amazement at the queer things women
wanted, and made him guess what piping was, demand fiercely the meaning
of a hug me tight, or wonder how a little thing composed of three
rosebuds, a bit of velvet, and a pair of strings, could possibly be a
bonnet, and cost six dollars.  That night he looked as if he would like
the fun of quizzing her figures and pretending to be horrified at her
extravagance, as he often did, being particularly proud of his prudent
wife.

The little book was brought slowly out and laid down before him. Meg
got behind his chair under pretense of smoothing the wrinkles out of
his tired forehead, and standing there, she said, with her panic
increasing with every word...

"John, dear, I'm ashamed to show you my book, for I've really been
dreadfully extravagant lately.  I go about so much I must have things,
you know, and Sallie advised my getting it, so I did, and my New Year's
money will partly pay for it, but I was sorry after I had done it, for
I knew you'd think it wrong in me."

John laughed, and drew her round beside him, saying goodhumoredly,
"Don't go and hide.  I won't beat you if you have got a pair of killing
boots.  I'm rather proud of my wife's feet, and don't mind if she does
pay eight or nine dollars for her boots, if they are good ones."

That had been one of her last 'trifles', and John's eye had fallen on
it as he spoke.  "Oh, what will he say when he comes to that awful
fifty dollars!" thought Meg, with a shiver.

"It's worse than boots, it's a silk dress," she said, with the calmness
of desperation, for she wanted the worst over.

"Well, dear, what is the 'dem'd total', as Mr. Mantalini says?"

That didn't sound like John, and she knew he was looking up at her with
the straightforward look that she had always been ready to meet and
answer with one as frank till now.  She turned the page and her head at
the same time, pointing to the sum which would have been bad enough
without the fifty, but which was appalling to her with that added.  For
a minute the room was very still, then John said slowly  but she could
feel it cost him an effort to express no displeasure  . . .

"Well, I don't know that fifty is much for a dress, with all the
furbelows and notions you have to have to finish it off these days."

"It isn't made or trimmed," sighed Meg, faintly, for a sudden
recollection of the cost still to be incurred quite overwhelmed her.

"Twenty five yards of silk seems a good deal to cover one small woman,
but I've no doubt my wife will look as fine as Ned Moffat's when she
gets it on," said John dryly.

"I know you are angry, John, but I can't help it.  I don't mean to
waste your money, and I didn't think those little things would count up
so.  I can't resist them when I see Sallie buying all she wants, and
pitying me because I don't.  I try to be contented, but it is hard, and
I'm tired of being poor."

The last words were spoken so low she thought he did not hear them, but
he did, and they wounded him deeply, for he had denied himself many
pleasures for Meg's sake.  She could have bitten her tongue out the
minute she had said it, for John pushed the books away and got up,
saying with a little quiver in his voice, "I was afraid of this.  I do
my best, Meg."  If he had scolded her, or even shaken her, it would not
have broken her heart like those few words.  She ran to him and held
him close, crying, with repentant tears, "Oh, John, my dear, kind,
hard working boy.  I didn't mean it!  It was so wicked, so untrue and
ungrateful, how could I say it! Oh, how could I say it!"

He was very kind, forgave her readily, and did not utter one reproach,
but Meg knew that she had done and said a thing which would not be
forgotten soon, although he might never allude to it again.  She had
promised to love him for better or worse, and then she, his wife, had
reproached him with his poverty, after spending his earnings
recklessly.  It was dreadful, and the worst of it was John went on so
quietly afterward, just as if nothing had happened, except that he
stayed in town later, and worked at night when she had gone to cry
herself to sleep.  A week of remorse nearly made Meg sick, and the
discovery that John had countermanded the order for his new greatcoat
reduced her to a state of despair which was pathetic to behold.  He had
simply said, in answer to her surprised inquiries as to the change, "I
can't afford it, my dear."

Meg said no more, but a few minutes after he found her in the hall with
her face buried in the old greatcoat, crying as if her heart would
break.

They had a long talk that night, and Meg learned to love her husband
better for his poverty, because it seemed to have made a man of him,
given him the strength and courage to fight his own way, and taught him
a tender patience with which to bear and comfort the natural longings
and failures of those he loved.

Next day she put her pride in her pocket, went to Sallie, told the
truth, and asked her to buy the silk as a favor.  The good natured Mrs.
Moffat willingly did so, and had the delicacy not to make her a present
of it immediately afterward.  Then Meg ordered home the greatcoat, and
when John arrived, she put it on, and asked him how he liked her new
silk gown.  One can imagine what answer he made, how he received his
present, and what a blissful state of things ensued.  John came home
early, Meg gadded no more, and that greatcoat was put on in the morning
by a very happy husband, and taken off at night by a most devoted
little wife.  So the year rolled round, and at midsummer there came to
Meg a new experience, the deepest and tenderest of a woman's life.

Laurie came sneaking into the kitchen of the Dovecote one Saturday,
with an excited face, and was received with the clash of cymbals, for
Hannah clapped her hands with a saucepan in one and the cover in the
other.

"How's the little mamma?  Where is everybody?  Why didn't you tell me
before I came home?" began Laurie in a loud whisper.

"Happy as a queen, the dear!  Every soul of 'em is upstairs a
worshipin'.  We didn't want no hurrycanes round.  Now you go into the
parlor, and I'll send 'em down to you," with which somewhat involved
reply Hannah vanished, chuckling ecstatically.

Presently Jo appeared, proudly bearing a flannel bundle laid forth upon
a large pillow.  Jo's face was very sober, but her eyes twinkled, and
there was an odd sound in her voice of repressed emotion of some sort.

"Shut your eyes and hold out your arms," she said invitingly.

Laurie backed precipitately into a corner, and put his hands behind him
with an imploring gesture.  "No, thank you.  I'd rather not.  I shall
drop it or smash it, as sure as fate."

"Then you shan't see your nevvy," said Jo decidedly, turning as if to
go.

"I will, I will!  Only you must be responsible for damages." and
obeying orders, Laurie heroically shut his eyes while something was put
into his arms.  A peal of laughter from Jo, Amy, Mrs. March, Hannah,
and John caused him to open them the next minute, to find himself
invested with two babies instead of one.

No wonder they laughed, for the expression of his face was droll enough
to convulse a Quaker, as he stood and stared wildly from the
unconscious innocents to the hilarious spectators with such dismay that
Jo sat down on the floor and screamed.

"Twins, by Jupiter!" was all he said for a minute, then turning to the
women with an appealing look that was comically piteous, he added,
"Take 'em quick, somebody!  I'm going to laugh, and I shall drop 'em."

Jo rescued his babies, and marched up and down, with one on each arm,
as if already initiated into the mysteries of babytending, while Laurie
laughed till the tears ran down his cheeks.

"It's the best joke of the season, isn't it?  I wouldn't have told you,
for I set my heart on surprising you, and I flatter myself I've done
it," said Jo, when she got her breath.

"I never was more staggered in my life.  Isn't it fun?  Are they boys?
What are you going to name them? Let's have another look.  Hold me up,
Jo, for upon my life it's one too many for me," returned Laurie,
regarding the infants with the air of a big, benevolent Newfoundland
looking at a pair of infantile kittens.

"Boy and girl.  Aren't they beauties?" said the proud papa, beaming
upon the little red squirmers as if they were unfledged angels.

"Most remarkable children I ever saw.  Which is which?" and Laurie bent
like a well sweep to examine the prodigies.

"Amy put a blue ribbon on the boy and a pink on the girl, French
fashion, so you can always tell.  Besides, one has blue eyes and one
brown.  Kiss them, Uncle Teddy," said wicked Jo.

"I'm afraid they mightn't like it," began Laurie, with unusual timidity
in such matters.

"Of course they will, they are used to it now.  Do it this minute,
sir!" commanded Jo, fearing he might propose a proxy.

Laurie screwed up his face and obeyed with a gingerly peck at each
little cheek that produced another laugh, and made the babies squeal.

"There, I knew they didn't like it!  That's the boy, see him kick, he
hits out with his fists like a good one.  Now then, young Brooke, pitch
into a man of your own size, will you?" cried Laurie, delighted with a
poke in the face from a tiny fist, flapping aimlessly about.

"He's to be named John Laurence, and the girl Margaret, after mother
and grandmother.  We shall call her Daisey, so as not to have two Megs,
and I suppose the mannie will be Jack, unless we find a better name,"
said Amy, with aunt like interest.

"Name him Demijohn, and call him Demi for short," said Laurie

"Daisy and Demi, just the thing!  I knew Teddy would do it," cried Jo
clapping her hands.

Teddy certainly had done it that time, for the babies were 'Daisy' and
'Demi' to the end of the chapter.



 Little Women by Louisa May Alcott chapter 29

CALLS

"Come, Jo, it's time."

"For what?"

"You don't mean to say you have forgotten that you promised to make
half a dozen calls with me today?"

"I've done a good many rash and foolish things in my life, but I don't
think I ever was mad enough to say I'd make six calls in one day, when
a single one upsets me for a week."

"Yes, you did, it was a bargain between us.  I was to finish the crayon
of Beth for you, and you were to go properly with me, and return our
neighbors' visits."

"If it was fair, that was in the bond, and I stand to the letter of my
bond, Shylock.  There is a pile of clouds in the east, it's not fair,
and I don't go."

"Now, that's shirking.  It's a lovely day, no prospect of rain, and you
pride yourself on keeping promises, so be honorable, come and do your
duty, and then be at peace for another six months."

At that minute Jo was particularly absorbed in dressmaking, for she was
mantua maker general to the family, and took especial credit to herself
because she could use a needle as well as a pen. It was very provoking
to be arrested in the act of a first trying on, and ordered out to make
calls in her best array on a warm July day. She hated calls of the
formal sort, and never made any till Amy compelled her with a bargain,
bribe, or promise.  In the present instance there was no escape, and
having clashed her scissors rebelliously, while protesting that she
smelled thunder, she gave in, put away her work, and taking up her hat
and gloves with an air of resignation, told Amy the victim was ready.

"Jo March, you are perverse enough to provoke a saint!  You don't
intend to make calls in that state, I hope," cried Amy, surveying her
with amazement.

"Why not?  I'm neat and cool and comfortable, quite proper for a dusty
walk on a warm day.  If people care more for my clothes than they do
for me, I don't wish to see them.  You can dress for both, and be as
elegant as you please.  It pays for you to be fine.  It doesn't for me,
and furbelows only worry me."

"Oh, dear!" sighed Amy, "now she's in a contrary fit, and will drive me
distracted before I can get her properly ready. I'm sure it's no
pleasure to me to go today, but it's a debt we owe society, and there's
no one to pay it but you and me.  I'll do anything for you, Jo, if
you'll only dress yourself nicely, and come and help me do the civil.
You can talk so well, look so aristocratic in your best things, and
behave so beautifully, if you try, that I'm proud of you.  I'm afraid
to go alone, do come and take care of me."

"You're an artful little puss to flatter and wheedle your cross old
sister in that way.  The idea of my being aristocratic and well bred,
and your being afraid to go anywhere alone!  I don't know which is the
most absurd.  Well, I'll go if I must, and do my best.  You shall be
commander of the expedition, and I'll obey blindly, will that satisfy
you?" said Jo, with a sudden change from perversity to lamblike
submission.

"You're a perfect cherub!  Now put on all your best things, and I'll
tell you how to behave at each place, so that you will make a good
impression.  I want people to like you, and they would if you'd only
try to be a little more agreeable.  Do your hair the pretty way, and
put the pink rose in your bonnet.  It's becoming, and you look too
sober in your plain suit.  Take your light gloves and the embroidered
handkerchief.  We'll stop at Meg's, and borrow her white sunshade, and
then you can have my dove colored one."

While Amy dressed, she issued her orders, and Jo obeyed them, not
without entering her protest, however, for she sighed as she rustled
into her new organdie, frowned darkly at herself as she tied her bonnet
strings in an irreproachable bow, wrestled viciously with pins as she
put on her collar, wrinkled up her features generally as she shook out
the handkerchief, whose embroidery was as irritating to her nose as the
present mission was to her feelings, and when she had squeezed her
hands into tight gloves with three buttons and a tassel, as the last
touch of elegance, she turned to Amy with an imbecile expression of
countenance, saying meekly...

"I'm perfectly miserable, but if you consider me presentable, I die
happy."

"You're highly satisfactory.  Turn slowly round, and let me get a
careful view." Jo revolved, and Amy gave a touch here and there, then
fell back, with her head on one side, observing graciously, "Yes,
you'll do.  Your head is all I could ask, for that white bonnet with
the rose is quite ravishing.  Hold back your shoulders, and carry your
hands easily, no matter if your gloves do pinch.  There's one thing you
can do well, Jo, that is, wear a shawl.  I can't, but it's very nice to
see you, and I'm so glad Aunt March gave you that lovely one.  It's
simple, but handsome, and those folds over the arm are really artistic.
Is the point of my mantle in the middle, and have I looped my dress
evenly? I like to show my boots, for my feet are pretty, though my nose
isn't."

"You are a thing of beauty and a joy forever," said Jo, looking through
her hand with the air of a connoisseur at the blue feather against the
golden hair.  "Am I to drag my best dress through the dust, or loop it
up, please, ma'am?"

"Hold it up when you walk, but drop it in the house.  The sweeping
style suits you best, and you must learn to trail your skirts
gracefully.  You haven't half buttoned one cuff, do it at once.  You'll
never look finished if you are not careful about the little details,
for they make up the pleasing whole."

Jo sighed, and proceeded to burst the buttons off her glove, in doing
up her cuff, but at last both were ready, and sailed away, looking as
'pretty as picters', Hannah said, as she hung out of the upper window
to watch them.

"Now, Jo dear, the Chesters consider themselves very elegant people, so
I want you to put on your best deportment.  Don't make any of your
abrupt remarks, or do anything odd, will you?  Just be calm, cool, and
quiet, that's safe and ladylike, and you can easily do it for fifteen
minutes," said Amy, as they approached the first place, having borrowed
the white parasol and been inspected by Meg, with a baby on each arm.

"Let me see.  'Calm, cool, and quiet', yes, I think I can promise that.
I've played the part of a prim young lady on the stage, and I'll try it
off.  My powers are great, as you shall see, so be easy in your mind,
my child."

Amy looked relieved, but naughty Jo took her at her word, for during
the first call she sat with every limb gracefully composed, every fold
correctly draped, calm as a summer sea, cool as a snowbank, and as
silent as the sphinx.  In vain Mrs. Chester alluded to her 'charming
novel', and the Misses Chester introduced parties, picnics, the opera,
and the fashions.  Each and all were answered by a smile, a bow, and a
demure "Yes" or "No" with the chill on.  In vain Amy telegraphed the
word 'talk', tried to draw her out, and administered covert pokes with
her foot.  Jo sat as if blandly unconscious of it all, with deportment
like Maud's face, 'icily regular, splendidly null'.

"What a haughty, uninteresting creature that oldest Miss March is!" was
the unfortunately audible remark of one of the ladies, as the door
closed upon their guests.  Jo laughed noiselessly all through the hall,
but Amy looked disgusted at the failure of her instructions, and very
naturally laid the blame upon Jo.

"How could you mistake me so?  I merely meant you to be properly
dignified and composed, and you made yourself a perfect stock and
stone.  Try to be sociable at the Lambs'.  Gossip as other girls do,
and be interested in dress and flirtations and whatever nonsense comes
up.  They move in the best society, are valuable persons for us to
know, and I wouldn't fail to make a good impression there for anything."

"I'll be agreeable.  I'll gossip and giggle, and have horrors and
raptures over any trifle you like.  I rather enjoy this, and now I'll
imitate what is called 'a charming girl'.  I can do it, for I have May
Chester as a model, and I'll improve upon her.  See if the Lambs don't
say, 'What a lively, nice creature that Jo March is!"

Amy felt anxious, as well she might, for when Jo turned freakish there
was no knowing where she would stop.  Amy's face was a study when she
saw her sister skim into the next drawing room, kiss all the young
ladies with effusion, beam graciously upon the young gentlemen, and
join in the chat with a spirit which amazed the beholder. Amy was taken
possession of by Mrs. Lamb, with whom she was a favorite, and forced to
hear a long account of Lucretia's last attack, while three delightful
young gentlemen hovered near, waiting for a pause when they might rush
in and rescue her.  So situated, she was powerless to check Jo, who
seemed possessed by a spirit of mischief, and talked away as volubly as
the lady.  A knot of heads gathered about her, and Amy strained her
ears to hear what was going on, for broken sentences filled her with
curiosity, and frequent peals of laughter made her wild to share the
fun.  One may imagine her suffering on overhearing fragments of this
sort of conversation.

"She rides splendidly.  Who taught her?"

"No one.  She used to practice mounting, holding the reins, and sitting
straight on an old saddle in a tree.  Now she rides anything, for she
doesn't know what fear is, and the stableman lets her have horses cheap
because she trains them to carry ladies so well.  She has such a
passion for it, I often tell her if everything else fails, she can be a
horsebreaker, and get her living so."

At this awful speech Amy contained herself with difficulty, for the
impression was being given that she was rather a fast young lady, which
was her especial aversion.  But what could she do?  For the old lady
was in the middle of her story, and long before it was done, Jo was off
again, making more droll revelations and committing still more fearful
blunders.

"Yes, Amy was in despair that day, for all the good beasts were gone,
and of three left, one was lame, one blind, and the other so balky that
you had to put dirt in his mouth before he would start. Nice animal for
a pleasure party, wasn't it?"

"Which did she choose?" asked one of the laughing gentlemen, who
enjoyed the subject.

"None of them.  She heard of a young horse at the farm house over the
river, and though a lady had never ridden him, she resolved to try,
because he was handsome and spirited.  Her struggles were really
pathetic.  There was no one to bring the horse to the saddle, so she
took the saddle to the horse.  My dear creature, she actually rowed it
over the river, put it on her head, and marched up to the barn to the
utter amazement of the old man!"

"Did she ride the horse?"

"Of course she did, and had a capital time.  I expected to see her
brought home in fragments, but she managed him perfectly, and was the
life of the party."

"Well, I call that plucky!" and young Mr. Lamb turned an approving
glance upon Amy, wondering what his mother could be saying to make the
girl look so red and uncomfortable.

She was still redder and more uncomfortable a moment after, when a
sudden turn in the conversation introduced the subject of dress.  One
of the young ladies asked Jo where she got the pretty drab hat she wore
to the picnic and stupid Jo, instead of mentioning the place where it
was bought two years ago, must needs answer with unnecessary frankness,
"Oh, Amy painted it.  You can't buy those soft shades, so we paint ours
any color we like.  It's a great comfort to have an artistic sister."

"Isn't that an original idea?" cried Miss Lamb, who found Jo great fun.

"That's nothing compared to some of her brilliant performances. There's
nothing the child can't do.  Why, she wanted a pair of blue boots for
Sallie's party, so she just painted her soiled white ones the loveliest
shade of sky blue you ever saw, and they looked exactly like satin,"
added Jo, with an air of pride in her sister's accomplishments that
exasperated Amy till she felt that it would be a relief to throw her
cardcase at her.

"We read a story of yours the other day, and enjoyed it very much,"
observed the elder Miss Lamb, wishing to compliment the literary lady,
who did not look the character just then, it must be confessed.

Any mention of her 'works' always had a bad effect upon Jo, who either
grew rigid and looked offended, or changed the subject with a brusque
remark, as now.  "Sorry you could find nothing better to read.  I write
that rubbish because it sells, and ordinary people like it.  Are you
going to New York this winter?"

As Miss Lamb had 'enjoyed' the story, this speech was not exactly
grateful or complimentary.  The minute it was made Jo saw her mistake,
but fearing to make the matter worse, suddenly remembered that it was
for her to make the first move toward departure, and did so with an
abruptness that left three people with half finished sentences in their
mouths.

"Amy, we must go.  Good by, dear, do come and see us.  We are pining
for a visit.  I don't dare to ask you, Mr. Lamb, but if you should
come, I don't think I shall have the heart to send you away."

Jo said this with such a droll imitation of May Chester's gushing style
that Amy got out of the room as rapidly as possible, feeling a strong
desire to laugh and cry at the same time.

"Didn't I do well?" asked Jo, with a satisfied air as they walked away.

"Nothing could have been worse," was Amy's crushing reply. "What
possessed you to tell those stories about my saddle, and the hats and
boots, and all the rest of it?"

"Why, it's funny, and amuses people.  They know we are poor, so it's no
use pretending that we have grooms, buy three or four hats a season,
and have things as easy and fine as they do."

"You needn't go and tell them all our little shifts, and expose our
poverty in that perfectly unnecessary way.  You haven't a bit of proper
pride, and never will learn when to hold your tongue and when to
speak," said Amy despairingly.

Poor Jo looked abashed, and silently chafed the end of her nose with
the stiff handkerchief, as if performing a penance for her misdemeanors.

"How shall I behave here?" she asked, as they approached the third
mansion.

"Just as you please.  I wash my hands of you," was Amy's short answer.

"Then I'll enjoy myself.  The boys are at home, and we'll have a
comfortable time.  Goodness knows I need a little change, for elegance
has a bad effect upon my constitution," returned Jo gruffly, being
disturbed by her failure to suit.

An enthusiastic welcome from three big boys and several pretty children
speedily soothed her ruffled feelings, and leaving Amy to entertain the
hostess and Mr. Tudor, who happened to be calling likewise, Jo devoted
herself to the young folks and found the change refreshing.  She
listened to college stories with deep interest, caressed pointers and
poodles without a murmur, agreed heartily that "Tom Brown was a brick,"
regardless of the improper form of praise, and when one lad proposed a
visit to his turtle tank, she went with an alacrity which caused Mamma
to smile upon her, as that motherly lady settled the cap which was left
in a ruinous condition by filial hugs, bearlike but affectionate, and
dearer to her than the most faultless coiffure from the hands of an
inspired Frenchwoman.

Leaving her sister to her own devices, Amy proceeded to enjoy herself
to her heart's content.  Mr. Tudor's uncle had married an English lady
who was third cousin to a living lord, and Amy regarded the whole
family with great respect, for in spite of her American birth and
breeding, she possessed that reverence for titles which haunts the best
of us  that unacknowledged loyalty to the early faith in kings which
set the most democratic nation under the sun in ferment at the coming
of a royal yellow haired laddie, some years ago, and which still has
something to do with the love the young country bears the old, like
that of a big son for an imperious little mother, who held him while
she could, and let him go with a farewell scolding when he rebelled.
But even the satisfaction of talking with a distant connection of the
British nobility did not render Amy forgetful of time, and when the
proper number of minutes had passed, she reluctantly tore herself from
this aristocratic society, and looked about for Jo, fervently hoping
that her incorrigible sister would not be found in any position which
should bring disgrace upon the name of March.

It might have been worse, but Amy considered it bad.  For Jo sat on the
grass, with an encampment of boys about her, and a dirty footed dog
reposing on the skirt of her state and festival dress, as she related
one of Laurie's pranks to her admiring audience.  One small child was
poking turtles with Amy's cherished parasol, a second was eating
gingerbread over Jo's best bonnet, and a third playing ball with her
gloves, but all were enjoying themselves, and when Jo collected her
damaged property to go, her escort accompanied her, begging her to come
again, "It was such fun to hear about Laurie's larks."

"Capital boys, aren't they?  I feel quite young and brisk again after
that." said Jo, strolling along with her hands behind her, partly from
habit, partly to conceal the bespattered parasol.

"Why do you always avoid Mr. Tudor?" asked Amy, wisely refraining from
any comment upon Jo's dilapidated appearance.

"Don't like him, he puts on airs, snubs his sisters, worries his
father, and doesn't speak respectfully of his mother.  Laurie says he
is fast, and I don't consider him a desirable acquaintance, so I let
him alone."

"You might treat him civilly, at least.  You gave him a cool nod, and
just now you bowed and smiled in the politest way to Tommy Chamberlain,
whose father keeps a grocery store.  If you had just reversed the nod
and the bow, it would have been right," said Amy reprovingly.

"No, it wouldn't," returned Jo, "I neither like, respect, nor admire
Tudor, though his grandfather's uncle's nephew's niece was a third
cousin to a lord.  Tommy is poor and bashful and good and very clever.
I think well of him, and like to show that I do, for he is a gentleman
in spite of the brown paper parcels."

"It's no use trying to argue with you," began Amy.

"Not the least, my dear," interrupted Jo, "so let us look amiable, and
drop a card here, as the Kings are evidently out, for which I'm deeply
grateful."

The family cardcase having done its duty the girls walked on, and Jo
uttered another thanksgiving on reaching the fifth house, and being
told that the young ladies were engaged.

"Now let us go home, and never mind Aunt March today.  We can run down
there any time, and it's really a pity to trail through the dust in our
best bibs and tuckers, when we are tired and cross."

"Speak for yourself, if you please.  Aunt March likes to have us pay
her the compliment of coming in style, and making a formal call. It's a
little thing to do, but it gives her pleasure, and I don't believe it
will hurt your things half so much as letting dirty dogs and clumping
boys spoil them.  Stoop down, and let me take the crumbs off of your
bonnet."

"What a good girl you are, Amy!" said Jo, with a repentant glance from
her own damaged costume to that of her sister, which was fresh and
spotless still.  "I wish it was as easy for me to do little things to
please people as it is for you.  I think of them, but it takes too much
time to do them, so I wait for a chance to confer a great favor, and
let the small ones slip, but they tell best in the end, I fancy."

Amy smiled and was mollified at once, saying with a maternal air,
"Women should learn to be agreeable, particularly poor ones, for they
have no other way of repaying the kindnesses they receive. If you'd
remember that, and practice it, you'd be better liked than I am,
because there is more of you."

"I'm a crotchety old thing, and always shall be, but I'm willing to own
that you are right, only it's easier for me to risk my life for a
person than to be pleasant to him when I don't feel like it.  It's a
great misfortune to have such strong likes and dislikes, isn't it?"

"It's a greater not to be able to hide them.  I don't mind saying that
I don't approve of Tudor any more than you do, but I'm not called upon
to tell him so.  Neither are you, and there is no use in making
yourself disagreeable because he is."

"But I think girls ought to show when they disapprove of young men, and
how can they do it except by their manners? Preaching does not do any
good, as I know to my sorrow, since I've had Teddie to manage.  But
there are many little ways in which I can influence him without a word,
and I say we ought to do it to others if we can."

"Teddy is a remarkable boy, and can't be taken as a sample of other
boys," said Amy, in a tone of solemn conviction, which would have
convulsed the 'remarkable boy' if he had heard it.  "If we were belles,
or women of wealth and position, we might do something, perhaps, but
for us to frown at one set of young gentlemen because we don't approve
of them, and smile upon another set because we do, wouldn't have a
particle of effect, and we should only be considered odd and
puritanical."

"So we are to countenance things and people which we detest, merely
because we are not belles and millionaires, are we? That's a nice sort
of morality."

"I can't argue about it, I only know that it's the way of the world,
and people who set themselves against it only get laughed at for their
pains.  I don't like reformers, and I hope you never try to be one."

"I do like them, and I shall be one if I can, for in spite of the
laughing the world would never get on without them.  We can't agree
about that, for you belong to the old set, and I to the new. You will
get on the best, but I shall have the liveliest time of it. I should
rather enjoy the brickbats and hooting, I think."

"Well, compose yourself now, and don't worry Aunt with your new ideas."

"I'll try not to, but I'm always possessed to burst out with some
particularly blunt speech or revolutionary sentiment before her.  It's
my doom, and I can't help it."

They found Aunt Carrol with the old lady, both absorbed in some very
interesting subject, but they dropped it as the girls came in, with a
conscious look which betrayed that they had been talking about their
nieces.  Jo was not in a good humor, and the perverse fit returned, but
Amy, who had virtuously done her duty, kept her temper and pleased
everybody, was in a most angelic frame of mind.  This amiable spirit
was felt at once, and both aunts 'my deared' her affectionately,
looking what they afterward said emphatically, "That child improves
every day."

"Are you going to help about the fair, dear?" asked Mrs. Carrol, as Amy
sat down beside her with the confiding air elderly people like so well
in the young.

"Yes, Aunt.  Mrs. Chester asked me if I would, and I offered to tend a
table, as I have nothing but my time to give."

"I'm not," put in Jo decidedly.  "I hate to be patronized, and the
Chesters think it's a great favor to allow us to help with their highly
connected fair.  I wonder you consented, Amy, they only want you to
work."

"I am willing to work.  It's for the freedmen as well as the Chesters,
and I think it very kind of them to let me share the labor and the fun.
Patronage does not trouble me when it is well meant."

"Quite right and proper.  I like your grateful spirit, my dear. It's a
pleasure to help people who appreciate our efforts.  Some do not, and
that is trying," observed Aunt March, looking over her spectacles at
Jo, who sat apart, rocking herself, with a somewhat morose expression.

If Jo had only known what a great happiness was wavering in the balance
for one of them, she would have turned dove like in a minute, but
unfortunately, we don't have windows in our breasts, and cannot see
what goes on in the minds of our friends.  Better for us that we cannot
as a general thing, but now and then it would be such a comfort, such a
saving of time and temper.  By her next speech, Jo deprived herself of
several years of pleasure, and received a timely lesson in the art of
holding her tongue.

"I don't like favors, they oppress and make me feel like a slave.  I'd
rather do everything for myself, and be perfectly independent."

"Ahem!" coughed Aunt Carrol softly, with a look at Aunt March.

"I told you so," said Aunt March, with a decided nod to Aunt Carrol.

Mercifully unconscious of what she had done, Jo sat with her nose in
the air, and a revolutionary aspect which was anything but inviting.

"Do you speak French, dear?" asked Mrs. Carrol, laying a hand on Amy's.

"Pretty well, thanks to Aunt March, who lets Esther talk to me as often
as I like," replied Amy, with a grateful look, which caused the old
lady to smile affably.

"How are you about languages?" asked Mrs. Carrol of Jo.

"Don't know a word.  I'm very stupid about studying anything, can't
bear French, it's such a slippery, silly sort of language," was the
brusque reply.

Another look passed between the ladies, and Aunt March said to Amy,
"You are quite strong and well now, dear, I believe?  Eyes don't
trouble you any more, do they?"

"Not at all, thank you, ma'am.  I'm very well, and mean to do great
things next winter, so that I may be ready for Rome, whenever that
joyful time arrives."

"Good girl!  You deserve to go, and I'm sure you will some day," said
Aunt March, with an approving pat on the head, as Amy picked up her
ball for her.

    Crosspatch, draw the latch,
    Sit by the fire and spin,

squalled Polly, bending down from his perch on the back of her chair to
peep into Jo's face, with such a comical air of impertinent inquiry
that it was impossible to help laughing.

"Most observing bird," said the old lady.

"Come and take a walk, my dear?" cried Polly, hopping toward the china
closet, with a look suggestive of a lump of sugar.

"Thank you, I will.  Come Amy." and Jo brought the visit to an end,
feeling more strongly than ever that calls did have a bad effect upon
her constitution.  She shook hands in a gentlemanly manner, but Amy
kissed both the aunts, and the girls departed, leaving behind them the
impression of shadow and sunshine, which impression caused Aunt March
to say, as they vanished...

"You'd better do it, Mary.  I'll supply the money." and Aunt Carrol to
reply decidedly, "I certainly will, if her father and mother consent."